Monday , 20th December 2010
4pm, room 115

For those who still is in town, this last meeting in 2010 we will discuss the film Route 181 by Eyal Sivan and see a few short videos that were shown in the exhibition PROJEKT MIGRATION, a interdisciplinary research between art and theorie that took place in 2006 in Cologne. (www.projektmigration.de)

See you
best regards
Angela

Dear students, the seminar on tuesday will start at 2pm.

We`re happy to have Tanja Ostojić as a guest! She will give a Lecture Performance called:

“Crossing Borders: Development of Different Artistic Strategies”

Tanja Ostojić, born 1972 in Yugoslavia (Serbia), is an independent performance, interdisciplinary artist and cultural activist based in Berlin. She studied art in Belgrade and Nantes. 

 Ostojic directly familiarized herself with popular border crossings strategies that migrants have been using for decades. In order to take her own rights that
 she has been restricted from by EU migration laws, she explicitly applied strategies of provoking public sphere and of violation of law, to gain the right to move freely and live and work in Shengenia. Ostojić includes herself as a character in performances and uses diverse media in her

artistc researches, thereby examining social configurations and relations of

 power. She works predominantly from the migrant woman’s perspective, while political positioning, humour and integration of the recipient define the approach in her work. 

 

Her series of works entitled Integration Project summarizes experiences and investigations related to the situation of being a women immigrant in Germany. The preceding project Looking for a Husband with EU Passport was an initial key frame that themathises gender politics and capitalism and describes the collision between isolation, poverty and the EU policies of exclusion: to obtain a residence permit for the EU she posted her nude photo on the Internet in search of an EU passport holder interested in marriage. The wedding as an act in the media of law followed a brief meeting in Belgrade.

 Ostojić includes herself as a character in performances and uses diverse media in her artistic researches, thereby examining social configurations and relations of power. She works predominantly from the migrant woman’s perspective, while political positioning, humour and integration of the recipient define the approach in her work. 

 

 

*More Infos:

Ostojic Performed in 2010 in: Spoken World Festival, Kaaitheater Brussels, Critcal Complicity Bolzano and Girl Monster, Kampnagel, Hamburg. In 2009: on: PSi conference in Zagreb, Re.act.feminism, Berlin, Performa NYC; as well earlier at: Venice Biennale (2001), ICA London (1999), Manifesta 2 (1998).

Her work has been exhibited most recently at “Esteticas Decolonilaes, ASAB, Bogotá (2010). 2009 & 2010 at Arts Homo Erotica in the National Museum in Warsaw, in Gender Check, MUMOK, Vienna, and Zaheta gallery Warsaw, The social Critique, Kalmar Konstmuseum, Agents & Provocateurs, HWMKV Dortmund and ICA Dunaujvaros, Transitland Europe, Transmediale Berlin and Ludwig Museum Budapest… Her last one women show was in Kunstpavillon Innsbruck in 2008.

 She published recently book Integration Impossible? The Politics of Migration in the Artwork of Tanja Ostojić, M. Gržinić and T. Ostojić eds., argobooks, Berlin 2009.

http://www.van.at/see/tanja/ http://misplacedwomen.wordpress.com/  

Roundtable, Monday 6 dec

Dear Class, 

this monday we meet for the roundtable at the OKK at 4pm:


OKK/ Raum 29
Prinzenallee 29
13359 Berlin
U-Bhf Osloer Straße U9/U8

its 10 minutes with the U9 from zoologischer garten. 


-Candice will show her video works inside the exhibition. 


-Then me and jakub would like to present different groupworks at our self-organised exhibition "Battle of the Spectacle".

(its about a 12 m inflatable "ProtestHammer" we sewed with the Eclectic Electric Collective and send to the Cancún Climate Conference (Cop16), 
as well about our past roadtrip to the Copenhagen climate conference (Cop15). 

More info about the exhibition and the project, please check our blog:
www.eclectic-electric-collective.blogspot.com

Alex Dunst, a friend and theorist will do some critical feedback.

ok. we are looking forward!

xx 

Artur & Jakub 

WS2010/2011, room 115, Guestprofessor: Angela Melitopoulos

NEXT WEEK

15th of November, room 115, 4-7 pm

Roundtable 2: Presentation of student works


16th of November, room 115, 3-6 pm

Seminar/Introduction on the second part of the text ‚Heterotopies’
and the first part of 'The utopian body' by Michel Foucault

Please check you txt-files.

Presentation of the video 'Performing the Border' by Ursula Biemann
http://www.geobodies.org/01_art_and_videos/1999_performing_the_border/

8^th of November, room 115, 4-7 pm

Ground Zero One is a new format for class meetings in the WS 2010.

We try together to open, deepen and share information without being interfaced by screens.

Solidarity instead of competition is the motto of Ground Zero One.

The preliminary discussion started up with the history of this ‘Klasse’ in comparison with different art-school models in the U.S / Australia / Italy / Chile / GB ...

Some major questions became topics for the first discussion:

What means education in different systems of education in the arts?

What should be provided for the students ?

Privat vs. state universities ?

Neo-liberal concept of (art)education, language barriers and hierarchies,

exclusions in terms of class, race and/or privileges within different schoolmodels.

How to position yourself in/outside the artschool/ institiution

Please focus on these questions and prepare your possible answers for the next meeting !

9^th of November, room 115, 3-6 pm

Seminar/Introduction on the first chapter of the text ‚Heterotopies’ by Michel Foucault.

Please check you txt-files.

SEMINARS WS 2010/2011 Heterotopies

Heterotopies are spaces without place or histories without chronology. Heterotopies are universes that might be impossible to trace on a map because the do not belong to a place. They are born in our heads, in the cut up of our words, in non-places, dreams or, as Foucault said, "out of the sweetness of our utopies“. But they have a reality, a determined time, they can be fixed and measured on a map or in a calender. Foucaults' concept of heterotopies largely influenced theories on mobility and migration.

We will discuss the subject in relation to videos that focus on subjectivity and mobility (films and video works by Brigitta Kuster, Ursula Biemann, Lisl Ponger, Jem Cohen, Eyal Sivan, Alessandro Sambini, Bouba Touré, Phillipe Scheffner, Chantal Akermann, MariaGiovanna Nuzzi, and others.)

Round Tables/Reading Groups/Open Source Meetings :

Every week on Monday, 4-7 pm, room 115, (not on the 22. 11 and 3.1)

Seminars

Every Tuesday, 3 – 6 pm, room 115, weekly (not on the 3.11 and 23.11)

Past Seminars

October 25^th , 4-7pm

First Roundtable: Janine Jambere presents two of her projects.

Allied presentation: Yara Spaett. Questions by Anna Tautfest.

October 26^th, 2-6 pm,

Seminar/Introduction

In the Gallery ‘Gentili Apri’, Schöneberger Ufer 69

(http://gentiliapri.com/)

Seminar about the project Assemblages - an audiovisual research project by Angela Melitopoulos and Maurizio Lazzarato on Félix Guattari and his revolutionary psychiatric practice, his political activism as well as his ideas concerning ecosophy and interest in animism, especially in the Brazilian and Japanese context.

2nd November, room 115, 3-6 pm

Ground Zero One - preliminary discussion

A preliminary discussion for setting up and structuring topics. You should think about what is urgent for you to find out about the institution you are working in! Yara Spaett will collect all questions.’Ground Zero One’ is our platform for communicating and exchanging information collectively.

WS 2010/2011, room 115, Guestprofessor: Angela Melitopoulos

NEXT WEEK

October 25^th , 4-7pm

First Roundtable: Janine Jambere presents two of her projects.

Allied presentation: Yara Spaett. Questions by Anna Tautfest.

October 26^th, 2-6 pm,

Seminar/Introduction

!!! We meet in the art gallery ‘Gentili Apri’, Schöneberger Ufer 69!!!

(http://gentiliapri.com/)

Seminar about the project Assemblages - an audiovisual research project by Angela Melitopoulos and Maurizio Lazzarato on Félix Guattari and his revolutionary psychiatric practice, his political activism as well as his ideas concerning ecosophy and interest in animism, especially in the Brazilian and Japanese context.

WS 2010/2011 Heterotopies

Heterotopies are spaces without place or histories without chronology. Heterotopies are universes that might be impossible to trace on a map because the do not belong to a place. They are born in our heads, in the cut up of our words, in non-places, dreams or, as Foucault said, "out of the sweetness of our utopies“. But they have a reality, a determined time, they can be fixed and measured on a map or in a calender. Foucaults' concept of heterotopies largely influenced theories on mobility and migration.

We will discuss the subject in relation to videos that focus on subjectivity and mobility (films and video works by Brigitta Kuster, Ursula Biemann, Lisl Ponger, Jem Cohen, Eyal Sivan, Alessandro Sambini, Bouba Touré, Phillipe Scheffner, Chantal Akermann, MariaGiovanna Nuzzi, and others.)

Round Tables/Reading Groups/Open Source Meetings :

Every week on Monday, 4-7 pm, room 115, (not on the 22. 11 and 3.1)

Seminars

Every Tuesday, 3 – 6 pm, room 115, weekly (not on the 3.11 and 23.11)

NOVEMBER (UPDATE FOLLOWS)

2nd November, room 115, 3-6 pm

Ground Zero One - preliminary discussion

A preliminary discussion for setting up and structuring topics for the first meeting of the platfrom ’Ground Zero One’ for communicating and exchanging information collectively. What is urgent to find out about the institution you are working in ? Yara Spaett will collect all questions.

8^th of November, room 115, 4-7 pm

Ground Zero One is a new format for class meetings in the WS 2010. We try together to open, deepen and share information without being interfaced by screens.

Solidarity instead of competition is the motto of Ground Zero One.

Seminare Winter 2010/2011 -- Christoph Manz

hello everybody,

below the list of the seminars i'll hold next semester. they
will be all workshops with limited space, so i you're
interested it's important you let me know.

i'll try to find the time for an english translation before
i leave.

laters
++ christoph

Seminare Winter 2010/2011 -- Christoph Manz
************************************************************

Beginn der Vorlesungen: 18. Oktober 2010 (Montag)
Ende der Vorlesungen: 19. Februar 2011 (Samstag)
Akademische Ferien: 20. Dezember 2010 (Montag) bis 1. Januar
2011 (Samstag)

-- 1) --
Projektbetreuung Film/Video/Photographie
----------------------------------------------------------

Veranstaltung: Projektbetreuung Film/Video/Photographie
Veranstaltungsart: theoret.-prakt. Lehrveranstaltung
Sprache: deutsch/englisch
Semester: Winter 2010/2011
Tag: Mi
Zeit: 13:00-17:00
Rhythmus: wöchentlich
Raum: Ha33 - 098

Kommentar:

Technische Betreuung von studentischen Film-, Video- und
Photoarbeiten, mit analogen und digitalen Medien.

Technical assistence and advice on film, video and photo
projects. digital and analog media.

Jeden Mittwoch, Termine nach Vereinbarung.
Ganzes Semester, auch vorlesungsfreie Zeit (dann Mi und Do).


-- 2) --
Analog / Digital
----------------------------------------------------------

Veranstaltung: Analog / Digital
Veranstaltungsart: theoret.-prakt. Lehrveranstaltung
Sprache: deutsch/englisch
Semester: Winter 2010/2011
Tag: Do/Fr
Zeit: 13:30-18:00
Rhythmus: Blockseminar
Dauer: 4 x 2 Tage zu 4.5 Stunden
Raum: Ha33 - 115

Kommentar:

Ein sehr grosser Teil der Audio, Photo und Videotechnik ist
schon auf die digitale Produktion umgestiegen, und in
wenigen Jahren werden analoge Medien praktisch vollständig
aus unserem Alltagsleben verschwinden. Der Hauptgrund liegt
in der Effizienz, Kontrollierbarkeit und Qualität welche mit
der Digitaltechnik erreichbar sind.

Was bedeutet aber überhaupt digital und analog? Was ist
abgesehen von den technischen Vorteilen der Unterschied? Wie
ist unsere emotionale Reaktion zu digitalen und analogen
Bildern? Und wie beinflusst es unsere Arbeitsweise?

In diesem Workshop werden wir verschiedenste Beispiele aus
beiden Welten anschauen und ausprobieren und über diese
Fragen diskutieren.

Termine:
Do/Fr 28./29. Okt. + 4./5. Nov. + 11./12. Nov. + 18./19. Nov

Teilnehmerzahl beschränkt, nur mit Voranmeldung.

-- 3) --
Videotechnik: von der Aufnahme zur Präsentation
----------------------------------------------------------

Veranstaltung: Videotechnik: von der Aufnahme zur Präsentation
Veranstaltungsart: theoret.-prakt. Lehrveranstaltung
Sprache: deutsch/englisch
Semester: Winter 2010/2011
Tag: Do/Fr
Zeit: 13:30-17:30
Rhythmus: Blockseminar
Dauer: 3 x 2 Tage zu 4 Stunden
Raum: Ha33 - 115

Kommentar:

Die rasante technische Entwicklung, und die veränderten
Geräte haben einerseits zu einer Vielzahl an Möglichkeiten
zum Arbeiten mit Video geführt, aber auch zu einer grossen
Anzahl von Problemen, vorallem in der Endfertigung. Aufgrund
der vielen Kombinationen und damit verbundenen Fehlerquellen
ist es notwendig die Grundlagen und Funktionsweise dahinter
zu kennen um schon bei der Aufnahme und der Postproduktion
sinnvolle Entscheidungen zu treffen.

In diesem Workshop geht es also darum die Videotechnik zu
verstehen, mit dem Schwerpunkt der Präsentation. Es werden
ausführlich die verschiedenen Formate, Kabel und Geräte
besprochen und ausprobiert.

Termine:
Do/Fr 25./26. Nov. + 2./3. Dez. + 9./10. Dez.

Teilnehmerzahl beschränkt, nur mit Voranmeldung.

-- 4) --
Fluch und Segen des Internets
----------------------------------------------------------
Veranstaltung: Fluch und Segen des Internets
Veranstaltungsart: theoret.-prakt. Lehrveranstaltung
Sprache: deutsch/englisch
Semester: Winter 2010/2011
Tag: Do/Fr
Zeit: 13:30-17:30
Rhythmus: Blockseminar
Dauer: 3 x 2 Tage zu 4 Stunden
Raum: Ha33 - 098

Kommentar:

Das Internet nimmt eine immer grössere Wichtigkeit in
unserem Leben ein. Nicht nur persönlich, sondern auch
beruflich, wirtschaftlich und politisch. Es verändert die
Gesellschaft so stark wie wenige technische Errungenschaften
zuvor.

In diesem Seminar soll es zum einen darum gehen die
technischen Grundlagen zu verstehen, wie das Internet
funktioniert und aus welchen Bestandteilen es überhaupt
besteht sowiee konkreten Anwendungen und Tips zur Nutzung.

Zum anderen soll es auch zu Diskussionen anregen wie es uns
als Individueen und als Gesellschaft beeinflusst und
verändert.

Termine:
Do/Fr 13./14. Jan. + 20./21. Jan. + 27./28. Jan.

Teilnehmerzahl beschränkt, nur mit Voranmeldung.

Semesterplan SoSe 2010

Hello,

here is the updated plan for our semester. (Please note changes !!)

Basically it is taking place in mai and June, but then more densly.
There are seminars, Reading Groups, Round Tables and Wokrshops and a Festival !
If you would like to take part or visit the workshop and for meetings with me please contact me by mail-

The festival BERLIN DOCUMNETARY FORUM between the 2-6 of June is worth to plan time for it.

All updates will be posted on this email list. If you are not yet on please contact Yara (yara_spaettATyahoo.com>,

I ma happy to see you soon

All my best,
Angela


Klasse Melitopoulos

Sommersemester 2010, Seminars, Round Tables, Reading Groups, Viewing Archives

-----------------------------------------------------------------------------------------SCHEDULE

1 - Reading Group /3 May/4-6 pm/room 115/article : Gilles Deleuze ‚The new archivist’)

2. Workshop/4-7 May/all day/ Feminism and Performance Art with Bettina Knaup (application necessary) room 115

3. Seminar /7 May/3 pm/ Feminism and Performance Art /Bettina Knaup / room 115

4. Round Table /May 10/ 4-7 pm/ room 115

5. Reading Group /May 17/4-6 pm/ room 115 Extra-disciplinary Art Practices and Media Activism/Brian Holmes/ article from the book Escape the Overcode

6. Seminar /May 21/10.30-1.30 pm/ Extra-disciplinary Art Practices and Media Activism/Brian Holmes/ room 115

7. Workshop /May 18-21/ Extra-disciplinary Art Practices and Media Activism/Brian Holmes/ (application necessary), room 115,

8. Round Table/May 24, 4-7 pm/ room 115

9. BERLIN DOCUMENTRY FORUM 1/ 2-6 June/all day/ Haus der Kulturen der Welt (You are invited to attend the entire festival !)

Möglichkeitsraum Screen Performances

June 3, 10 pm (evening) The Life of a Film Archive with Stefanie Schulte Strathaus

June 4, 12 h Extra-disciplinary Art Practices and Media Activism with Brian Holmes

June 5, 2.30 pm Feminism and Performance Art with Bettina Knaup

10. Round Table/June 10/4-7pm/ room 115

11. Reading Group/14 June/4-6 pm/room 115

12. Reading Group and seminar 28 June/11am-3 pm, The Life of a Film Archive (location will be announced)

13. Viewing Archives /June 29/ The Life of a Film Archive (time and location will be announvced)

--------------------------------------------------------------------------------------------------

Seminar

‘Der Möglichkeitsraum’ (The Blast of the Possible)

On the Bio-politics and Archives

Short Text

The ‘new” archivist, who Deleuze recognizes in Foucault, has apparently created something fundamentally new: he cuts transversely through existing language systems across scientific languages, every day enunciation's and schizophrenic nonsense. He wants to stay agile and does not care about juxtaposed sentences or about the keyboard of his type writer. He does not want to speak about the ‘other’ or follow dialectics of conflict because by doing so he can’t differentiate the possible from the actual. He just wants to consider enunciation with all their omissions and breaches.

The seminar ‘Möglichkeitsraum’ invites to think the ‘new’ archivist along the work of three curators and cultural producers on their film and video archives who are collaborating (with me) on a screen performance that will be staged in the Berlin Documentary Forum in the House of World Cultures Berlin between the 3^rd and the 5^th of June 2010.

With Bettina Knaup (curator), Stefanie Schulte Strathaus (Arsenal Institute for Film - and Videoart) and Brian Holmes (cultural theorist) the three screen performances elaborate the possible and actual potentialities of a history and art production along three archives. We consider Foucault’s idea what an enunciation with it’s omissions and breaches can be in time. We work on ‘rules of transition’ of an enunciation from one time period to the next - within the moving images.

Der Möglichkeitsraum proposes to work in a laboratory like platform, an assembled space in that functions of cinema, theater and prostproduction studio are intertwined with each other. The platform contains a double screen projection, a database and a video- and sound mixer on stage. The screen is connected with the archaic function of theater that is to assemble, switch, combine and perform heterogeneous language flows.

1. Feminism and Performance Art with Bettina Knaup

The video archive assembled for the exhibition project re.act.feminism by the Berlin based curators Bettina Knaup and Beatrice E. Stammer show an exemplary overview of gender-critical performance art of the 1960s and 1970s and its current ‘return’ in form of appropriations, re-enactments and archival or documentary projects. The emergence of feminism and performance art critiqued patriarchal forms of knowledge production, political speech, bio-politics and the capitalizing function of the art market. The Blast of the Possible with Bettina Knaup address the idea of relational feminism within performance art that transgresses gender relations and identity politics in direction to urban bio-politics, knowledge production, therapy and ritualized speech.

Read more

(www.reactfeminism.org).

Performance art emerging in the 1960s and 70s was infused with ideas of social emancipation and fundamentally influenced by women artists interested in feminism. Performance art explored the intersection of art and life, of private and public. By focusing on the sentient, creating, knowing, speaking body it is the ideal medium to deconstruct the status of women as art objects and appropriate the subject position, to dramatize the social and physical vulnerability of women’s bodies in a patriarchal society and to deconstruct and subvert notions of stereotypical identity. Moreover, as a new art form, occurring outside the confines of the traditional art space, performance was a medium for collective and social intervention in the public sphere.

Bettina Knaup is a cultural producer with a background in political science, theatre, film, TV studies and gender studies. She has been involved in developing or managing a range of interdisciplinary and transnational cultural projects operating at the interface of arts, politics and knowledge production. These include the open space of the International Women's University (Hanover) and the trans-disciplinary Performing Arts Laboratory, IN TRANSIT (Berlin). For the past three years, she has co-curated and co-produced the International Festival of Contemporary Arts, CITY OF WOMEN, Ljubljana. As LabforCulture manager, Bettina oversees the development and production of the LabforCulture project.

Reading Group: 3 May, 4 to 6 pm, room 115, article Gilles Deleuze : ‚The new archivist’

Workshop: 4-7 May, all day, (application necessary), room 115

Seminar: 7 May, 3 to 5.30 pm, room 115

Screen Performance at the BERLIN DOCUMENTARY FORUM 1 :

5 June, 2.30 pm_Haus der Kulturen der Welt

Viewing Archives: 8 June, 11 - 5 pm, room 115

2. Extra-disciplinary Art Practices and Media Activism with Brian Holmes

Four Pathways through Chaos is based on Brian Holmes' political theory about cybernetic governance and extra-disciplinary art practices /media activism.

Activism in a networked society has to confront a complex order of cybernetic norms governing affects, thought, desire and social relations through automation, economic deregulation and overcoded environments. So-called 'second-order cybernetics' operates through the mapping of dispersed, multi-agent populations, aiming for the modulation of complex flows; its characteristic media form is the worldwide web. The bio-political government of control society integrates forms of individualized production of subjectivity. How do social life forms resist the over-coding that constantly tracks and analyzes data about our behavior? 'Any struggle in the fields of knowledge has to begin as extra-disciplinary practices', moving beyond the calibrated access between science and art.

Four Pathways through Chaos is becoming a live montage, exemplifying four historically different audiovisual regimes that occurred in the USA since World War Two: broadcast television in the Cold War consumer society; video in art practice and activism as a subversion of the televisual norm; networked computing and its new forms of 'control environments'; and new communication tactics of migration movements.

Brian Holmes is an art and cultural critic, activist and translator interested primarily in the intersections of artistic and political practice. He holds a doctorate in Romance Languages and Literatures from the University of California at Berkeley. was a member of the graphic arts group Ne pas plier from 1999 to 2001, and has worked with the French conceptual art group Bureau d'études. He is a frequent contributor to the international mailing list Nettime, a member of the editorial committee of the art magazine "Springerin" and the political-economy journal "Multitudes", a regular contributor to the magazine Parachute, and a founder of the new journal "Autonomie Artistique".

Reading Group_17 May, 4-6 pm, room 115, article from the book Escape the Overcode by Brian Holmes

Seminar 21. May, 10.30 - 1.30 pm, room 115

Workshop 18-21.May, all day, (application necessary), room 115,

Viewing Archives 8 June, 11-5 pm, room 115

Screen Performance at the BERLIN DOCUMENTARY FORUM

4 June, 12 h (mittags) Haus der Kulturen der Welt

3. The Life of a Film Archive with Stefanie Schulte Strathaus




A re-envisioning of moving images on the biography of the archive of the Arsenal Institute for Film and Video art

‚Must cinema screenings be organised by political activists for that new political films can be made?’ (Citation of a movie maker in the assembly ‘Les états généraux du cinema, Mai 1968, from the film ‚Das ist nur der Anfang – der Kampf geht weiter’ von Claudia von Alemann

The criteria of showing, spreading and distributing moving images contains a bio-political dimension that regulates active forces of life because through moving images heteronormative categories in our gaze, gestures and languages are immediately composed or rejected and thus affect our relations.

The Arsenal Institute for Film - and Videoart works with the active forces and fugacity of cinema images and thus understands each screening as a singular event in that the gaze, gestures and languages of it’s public co-determine the archive an it’s location.

Stefanie Schulte Strathaus, director of the Arsenal Institute for Film - and Videoart proposes to look at the possible and actual bio-political agency of an archive with a selection of feminist and queer films that composed three historical cinema events in the Arsenal cinema in Berlin :

- The exemplary event of 1973 with the 1. International Women’s Film Seminar organized and conceived by Helge Sander and Claudia von Alemann that triggered a follow up of other feminist and queer film festivals

- It’s actualisation in the event of 1997 called 'Films, Festivals and Feminism ‚…es kommt darauf an, sie zu verändern'

- And the event of 2009 'LIVE FILM! JACK SMITH! Five Flaming in a Rented World

The feminist film of the 70ties was a thought-provoking tool. It had to be constituted against a large opposition and many difficulties. A political enunciation resulted that is still actual today: a crystalline vision about economic exploitation, heteronormativity and the (bio) political struggles that continue today.

Screen Performance at the BERLIN DOCUMENTARY FORUM _

3 June, 10 pm (evening !) Haus der Kulturen der Welt

Reading-group/seminar 28 June, 11 - 3 pm, (location will be announced)

Viewing Archives 29 June, (time and location will be announced)

-----------------------------------------------------------------------------------------

Round Tables

We continue the format of the round-table for presenting and discussing student projects. Each presentation should be prepared in collaboration with another student or expert who can elaborate a short comment on the presented topic.

Please reserve your dates for your presentations with Yara Spaett.

May 10, May 24, June 7, June 21

-----------------------------------------------------------------------------------------