What`s Up with the Klasse?
We want to discuss what was happening the last months, where we are now and what can happen in the future.
Greetings Yara
Mittwoch, 21. Oktober 2009
Information WS 2009/2010 Angela Melitopoulos
Room 115, Universität der Künste Berlin Hardenbergstr. 33 (public)
(Please check email klassedouglas before each event)
Lectures
Screens of Perception
Felix Guattari and the Cinema of the Institutional Psychotherapy
The lectures will bring together films and theoretical text on the subject of Felix Guattari and the Cinema of the Institutional Psychotherapy. Inputs can be given for the Glossarial on December, 1st in which some of the theoretical concepts of Felix Guattari are discussed point by point. Inputs on artistic strategies can be given any time. During the semester, works and projects by Angela Melitopoulos will be shown and discussed on two different dates.
Dates : 10. November, 10 am – 2 pm
16. November, 10 am – 2 pm
24. November, 10 am – 2 pm
1. December, 10 am – 2 pm
7. December, 10 am – 2 pm (guests Maurizio Lazzarato & Francois Pain)
15. December, 10 am – 2 pm
5. January, 10 am – 2 pm
11. January, 10 am – 2 pm
19. January, 10 am – 2 pm
Roundtables (Klassentreffen)
Room 115, Universität der Künste Berlin Hardenbergstr. 33
(Please contact Yara Spaett for your participation and your inscription in the schedule. (raum98_114@yahoo.de)
The roundtable format is organized as a collective discussion platform for students to present their projects and discuss them with the plenum. Each presentation is linked to two additional collaborative inputs with students of the class, colleagues or invited guests. The first operates as a ‚respondent’ (bringing up crucial points / questions in relation to the topic), the second elaborates a short input on artistic practice, technical questions or on a theoretical question that relates to the presented project. The short inputs should be prepared together with the student lecturer beforehand. After the presentation, all participants of the roundtable are invited for discussopn. We can schedule two presentations for each roundtable.
Dates : 19. October, 2 pm – 5 pm
9. November, 2 pm – 5 pm
23. November, 2 pm – 5 pm
14. December, 2 pm – 5 pm
21. December, 2 pm – 5 pm
4. Januar , 2 pm – 5 pm
18. Januar , 2 pm – 5 pm
Tutorials
Tutorials are scheduled after the lectures. Please contact raum98_114@yahoo.de!
(Please check email klassedouglas before each event)
Lectures
Screens of Perception
Felix Guattari and the Cinema of the Institutional Psychotherapy
The lectures will bring together films and theoretical text on the subject of Felix Guattari and the Cinema of the Institutional Psychotherapy. Inputs can be given for the Glossarial on December, 1st in which some of the theoretical concepts of Felix Guattari are discussed point by point. Inputs on artistic strategies can be given any time. During the semester, works and projects by Angela Melitopoulos will be shown and discussed on two different dates.
Dates : 10. November, 10 am – 2 pm
16. November, 10 am – 2 pm
24. November, 10 am – 2 pm
1. December, 10 am – 2 pm
7. December, 10 am – 2 pm (guests Maurizio Lazzarato & Francois Pain)
15. December, 10 am – 2 pm
5. January, 10 am – 2 pm
11. January, 10 am – 2 pm
19. January, 10 am – 2 pm
Roundtables (Klassentreffen)
Room 115, Universität der Künste Berlin Hardenbergstr. 33
(Please contact Yara Spaett for your participation and your inscription in the schedule. (raum98_114@yahoo.de)
The roundtable format is organized as a collective discussion platform for students to present their projects and discuss them with the plenum. Each presentation is linked to two additional collaborative inputs with students of the class, colleagues or invited guests. The first operates as a ‚respondent’ (bringing up crucial points / questions in relation to the topic), the second elaborates a short input on artistic practice, technical questions or on a theoretical question that relates to the presented project. The short inputs should be prepared together with the student lecturer beforehand. After the presentation, all participants of the roundtable are invited for discussopn. We can schedule two presentations for each roundtable.
Dates : 19. October, 2 pm – 5 pm
9. November, 2 pm – 5 pm
23. November, 2 pm – 5 pm
14. December, 2 pm – 5 pm
21. December, 2 pm – 5 pm
4. Januar , 2 pm – 5 pm
18. Januar , 2 pm – 5 pm
Tutorials
Tutorials are scheduled after the lectures. Please contact raum98_114@yahoo.de!
Technical Tutorials
Seminare im Wintersemester 09 / Seminars in winter 09
hello everybody,below the seminars for the next semester. The after effects and the color management workshops have limited space, the students from the class have precedence, but i'll have to know in the next two weeks if you want to attend, so let me know.
bests
++ christoph
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Stilistische Elemente im Film
Filmemachen ist vielleicht eine der komplexesten Formen um etwas künstlerisch auszudrücken - es gibt tausende von Ebenen und Elementen die zusammen den endgültigen Eindruck beinflussen.
Wir werden verschiedene Beispiele aus der Geschichte des Kinos anschauen und besprechen wie stilistische Elemente beim Film eingesetzt werden können.
Dieses Seminar ist nicht so sehr als Anleitung zum Filmemachen gedacht, sondern soll Erkenntnisse und Inspirationen geben wie verschiedene Ansätze zu sehr verschiedenen Resultaten führen können.
Themen sind unter anderem:
- Auflösung
- Kamerabewegungen
- Plansequenzen
- Mise-en-scène
- Cadrage
- Perspektive
- Licht und Schatten
- Ton und Stille
- Schnitt
Stylistic elements in film
Making a film is possibly one of the most complex forms to express something artistically - there are a myriad of different layers and elements that influence the final impression.
Looking at many different examples from the history of cinema, we'll be discussing stylistic elements that can be used in creating films.
This seminar is less meant to be a how-to in film making, but rather to provide insights and inspiration about how various approaches can give completely different visual and emotional results.
Topics include:
- Scene breakdown
- Camera movements
- Sequence Shots
- Mise-en-scène
- Cadrage
- Perspective / Viewpoint
- Light and shadows
- Sound and Silence
- Editing
Do.
14:00 bis 18:00
14tägl
15.10.2009 bis 04.02.2010
Ha33 - 115
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Farbtheorie und Farbmanagement in digitalen Medien
Die Wahrnehmung von Farbe wie wir sie wahrnehmen hat hängt ebenso von psychologischen und philosophischen Faktoren ab wie von mathematischen und physikalischen.
Dieses Seminar soll dazu dienen die darunterliegenden Prinzipien und Probleme zu verstehen und wie digitales Farbmanagement benutzt werden kann um die Farben konsistent zu halten.
Im ersten Teil geht es dabei mehr um die theoretischen Grundlagen während im zweiten die Anwendung auf digitale Kameras, Scans und Prints diskutiert werden soll.
Colour theory and management in the digital media
The appearance of colours as we see them has just as much to do with philosophy, psychology and perception as it has with science and mathematics.
This seminar is intended to help understanding the underlining principles and problems and how to use digital color management to keep colours consistent. The first part will be more about the theory behind it, in the second we'll look on how to apply it in practice considering digital cameras, film scans and printing.
Mi.
13:30 bis 16:30
wöchentl.
21.10.2009 bis 11.11.2009
Ha33 - 098
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Arbeiten mit After Effects
After Effects hat sich von einem Programm das hauptsächlich für motion graphics verwendet wurde zu einem der vielseitigsten Werkzeuge für die Film und Video post-produktion weiterentwickelt. Es kann unter anderem zur Titelherstellung verwendet werden, zur Farbkorrektur, für komplexes Compositing bis zu Arbeiten in 3D Räumen.
Dieser Workshop soll dazu dienen einen Überblick zu geben was alles gemacht werden kann und ist an Studenten gerichtet die interessiert sind an der fortgeschrittenen Bearbeitung von Film und Videomaterial. Gute Kenntnisse in Photoshop und den Grundlagen von digitalem Video werden vorausgesetzt.
Working with After Effects
After Effect has matured from an application focused mainly on motion graphics to one of the most powerful film and video postproduction tools. It can be used for many different things like creating titles, doing color correction, complex compositing, and even 3D setups.
This workshop is meant to give an overview of what can be done and is targeted at students who are interested in learning advanced manipulation of film and video footage. Good knowledge in Photoshop and the principles of digital video is required.
Mi.
13:30 bis 16:30
wöchentl.
25.11.2009 bis 16.12.2009
Ha33 - 255
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